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You Shall Know Our Velocity (Vintage) - PDF
You Shall Know Our Velocity (Vintage) - PDF
نویسندگان: Dave Eggers خلاصه: Everything within takes place after Jack died, and before my mom and I drownedin a burning ferry in the cool tannin-tinted Guaviare River, in east-central Columbia, withforty-two locals we hadn't yet met. It was a clear and eyeblue day, that day, as was thefirst day of this story, a few years ago in January, on Chicago's north side, in the opulentshadow of Wrigley and with the wind coming low and searching off the jagged half-frozen lake. I was inside, very warm, walking from door to door.I was talking to Hand, one of my two best friends, the one still alive, and we wereplanning to leave. At this point there were good days, good weeks, when we pretendedthat it was acceptable that Jack had lived at all, that his life had been, in its truncated way,complete. This wasn't one of those days. I was pacing and Hand knew I was pacing andknew what it meant. I paced like this when figuring or planning, and rolled my knuckles,and snapped my fingers softly and without rhythm, and walked from the western edge ofthe apartment, where I would lock and unlock the front door, and then east, to the backdeck's glass sliding door, which I opened quickly, thrust my head through and shut again.Hand could hear the quiet roar of the door moving back and forth on its rail, but saidnothing. The air was arctic and it was Friday afternoon and I was home, in the new blueflannel pajama pants I wore most days then, indoors or out. A stupid and nervous bird thecolor of feces fluttered to the feeder over the deck and ate the ugly mixed seeds I'd put inthere for no reason and lately regretted -- these birds would die in days and I didn't wantto watch their flight or demise. This building warmed itself without regularity orequitable distribution to its corners, and my apartment, on the rear left upper edge, got itsheat rarely and in bursts. Jack was twenty-six and died five months before and now Handand I would leave for a while. I had my ass beaten two weeks ago by three shadows in astorage unit in Oconomowoc -- it had nothing to do with Jack or anything else, really, ormaybe it did, maybe it was distantly Jack's fault and immediately Hand's -- and we had toleave for a while. I had scabs on my face and back and a rough pear-shaped bump on thecrown of my head and I had this money that had to be disseminated and so Hand and Iwould leave. My head was a condemned church with a ceiling of bats but I swung fromthis dark mood to euphoria when I thought about leaving.
Math Matters: Understanding the Math You Teach Grades K-8, 2nd Edition - Original PDF
Math Matters: Understanding the Math You Teach Grades K-8, 2nd Edition - Original PDF
نویسندگان: Suzanne H. Chapin, Art Johnson خلاصه: Whole number computation—adding, subtracting, multiplying, and dividing—hasalways been a major topic in the elementary school curriculum. And this focus is stilljustifiable, even in today’s technological age. First, being able to compute is a practi-cal skill that lets us answer questions such as how much? how many? how many timesgreater? We use computation every day—when verifying that a store clerk has givenus the correct change, figuring the tip to leave in a restaurant, or determining howmuch it will cost to buy the required number of party favors for a birthday celebra-tion. Second, whole number computation is the foundation of arithmetic. It canhelp students make sense of mathematical relationships and prepare them for laterwork with fractions, signed numbers, and algebra. Whether computations involve“naked” numbers or are embedded in word problems, students need to know how tosolve them. They must be able to determine when to use mental math, paper andpencil, or the calculator. Most important, their methods must make sense, both tothemselves and to others.
Monday Morning Mentoring: Ten Lessons to Guide You Up the Ladder - PDF
Monday Morning Mentoring: Ten Lessons to Guide You Up the Ladder - PDF
نویسندگان: David Cottrell خلاصه: It was a rainy, gloomy day when I left home for my firstmeeting with Tony.Frankly, I was somewhat cynical about whether meet-ing with Tony would change anything at work. At best, timewith Tony would probably make me feel better about howthings were going. I guess I really doubted he could do muchto change how I managed. After all, I had worked for yearsfor one of the best companies in the world and had been tonumerous management-development sessions. To no one’ssurprise, however, the impact of these highly touted trainingsessions rarely lasted more than a short time.I had to keep reminding myself that if things were great,I never would have called Tony in the first place. The truth wasthis: I was at a crossroads in my career. Deep down I knewsomething was going to have to change, one way or another.“Get with it,” I chided myself. “Executives all over the country
Make Money Work For YouInstead of You Working for It: Lessons from a Portfolio Manager - PDF
Make Money Work For YouInstead of You Working for It: Lessons from a Portfolio Manager - PDF
نویسندگان: William Thomason خلاصه: f you picked up this book looking for information on financialplanning, then put it down and find another one. This is not a bookon financial planning. Instead, this book tells how you can:• Accumulate wealth through investing.• Be your own research analyst and portfolio manager.• Create and manage your own investment portfolio to reachyour own personal financial goals.I’m not a financial planner, nor am I a stockbroker. I am what iscalled in the financial services industry a portfolio manager, I man-age—and that means I make the investment decisions for—both in-dividual and institutional money in a variety of investment portfoliosfor my firm’s clientele. I have experience managing traditional in-vestments (such as stocks and bonds) and also alternative invest-ments (such as hedge funds). But, even more importantly, I am alsoan individual investor like you. I didn’t grow up with a silver spoon inmy mouth nor did I ever receive any type of large inheritance. I amtelling you this about myself because I want you to know that you, asan individual investor, can build a substantial investment portfolio byfollowing the ideas laid out in this book.Each day normally thoughtful and conservative people throwcaution (and their hard-earned money) to the wind when they heara stock tip that is nothing more than rumor. Others, for fear of mak-ing a mistake, keep their money invested in mediocre stocks and mu-tual funds simply because they don’t know what to do or whoseadvice to trust. Many others feel they need large sums of money be-fore they can begin to invest in stocks or anything else. I’m an advo-cate of stocks and the financial markets, and I will show you how toinvest in the stock market and buy a stock even if you have only $20.Don’t believe me? Keep reading
Zoos and Animal Welfare (Issues That Concern You) - PDF
Zoos and Animal Welfare (Issues That Concern You) - PDF
نویسندگان: Peggy Daniels خلاصه: Z oos have evolved over time from symbols of power and pres-tige of the early rulers, to institutions for education andresearch, to powerful businesses, and ultimately to a beacon ofhope in a world facing alarming rates of extinction. Yet to some,zoos have always been and continue to be prisons where other-wise healthy animals waste away inside depressing enclosures, fac-ing a lifetime of neglect. These critics will need a lot of convinc-ing to believe that zoos can be beneficial to animals. People canlearn more about the fears of critics and the future of zoos by trac-ing their evolution over time.History of ZoosWild animals have been displayed in captivity for thousands ofyears. According to most sources the first known zoos were largecollections of animals assembled in Egypt around 2500 B.C. Exoticwild animals were captured on expeditions, then displayed in cap-tivity by early rulers as symbols of wealth and power. In 1500 B.C.Queen Hatshepsut of Egypt built a zoo, and about five hundredyears later the Chinese emperor Wen Wang constructed theGarden of Intelligence—an enormous zoo that sprawled over 1,500acres (607ha). Later many smaller zoos were founded by rulers innorthern Africa, India, and China to show off the strength andriches of the current regime.Studies also show that the Romans kept wild animals in cap-tivity and sent them into battle in bloody public spectacles. Lions,bears, elephants, and other creatures were forced to fight to thedeath in public arenas to the cheers and shouts of onlookers.The birth of the modern zoo did not happen until 1828, whenthe London Zoo dedicated itself to the study of captive wildlifein London. The success of the London Zoo set off a wave of sim-ilar establishments, including the first zoological garden in7INTRODUCTIONMelbourne, Australia, and the New York City Zoo. In 1889 theU.S. Congress established the National Zoo for the purpose ofbreeding native wildlife
Punishment and Democracy: Three Strikes and You're Out in California (Studies in Crime and Public Policy X) - PDF
Punishment and Democracy: Three Strikes and You're Out in California (Studies in Crime and Public Policy X) - PDF
نویسندگان: Franklin E. Zimring, Gordon Hawkins, Sam Kamin خلاصه: The “Three strikes and you’re out” legislation adopted in Californiain 1994, was, at the same time, typical of recent American penalpolicy and decidedly unique. It is typical because of its orientation(long and mandatory terms of imprisonment), its devotion to sym-bolic gestures and slogans, and its willingness to displace discretionwith binding general commitments to particular punishments. TheCalifornia version was only 1 of 26 laws with that label passed in athree-year period during the 1990s, and the Three Strikes approachwas only 1 of many punitive reforms of the 1990s.What sets California’s law apart from the other Three Strikes lawsand every other penal law innovation of recent times is the extremityof its terms and the revolutionary nature of its ambitions. This statutewas drafted by outsiders to have the maximum possible impact oncriminal punishments. Whereas most penal laws are designed todeliver less drastic changes than they advertise—to bark louder thanthey bite—the California statute was designed to operate even morebroadly than its specialized title would suggest. It was a law de-signed to bite louder than it barked.The origin and impact of this legislation would have been an im-portant subject no matter which state had adopted it, but the settingfor the new law provided an even more compelling case for a majorstudy. The state of California is one of the largest criminal justice sys-tems in the free world. Its prisons and jails held almost a quarter of amillion inmates before the new law took effect. The California prisonsystem had grown more than fivefold in the 14 years prior to ThreeStrikes and already was larger than any prison system in the Westernworld. This was not only an extreme experiment but also one imple-mented in a very large and greatly expanded system.
As You Like It (Shakespeare in Production) - PDF
As You Like It (Shakespeare in Production) - PDF
نویسندگان: William Shakespeare, Cynthia Marshall خلاصه: Of this play the fable is wild and pleasing’, wrote Samuel Johnson of As YouLike It.1 The play in performance has sometimes veered towards the ‘wild’side, appearing a dangerously subversive work that exposes the instabilityof traditional values. At other moments it has been simply ‘pleasing’, astalwart demonstration of conventional social mores; this aspect promptedGeorge Bernard Shaw to accuse Shakespeare of ‘exploit[ing] the fondnessof the British Public for sham moralizing and stage “philosophy”.’2 Theplay’s ability to encompass these extremes tells an interesting story aboutchanging cultural and theatrical practices. Tracing the history of As YouLike It in the theatre and on film shows the extent to which a playscript is anevolving document that can be radically shaped in performance. Directors,actors, and venues are obviously central to this shaping process, and thecurrent incarnation of As You Like It bears the imprint of various theatricalfigures and general alterations in styles and playing places. Perhaps even moresignificant in following how the play has been evoked is a consideration ofthe wide and shifting context of social codes, gender norms, and attitudestowards the arts, especially theatre. The production history of As You LikeIt affords us a focused view of major social, political, and aesthetic changesover the past four centuries.At the same time, the performance history of As You Like It testifies to theparticular artistic poise of this comedy, written in 1600 when Shakespearewas at the height of his powers. A mode of refreshment and regeneration,Shakespearean comedy does not merely entertain by providing diversion,but seeks to accommodate viewers to the world in which they live. Towardsthis end, As You Like It addresses and seeks to manage a number of tensionsof social life, and achieves success through its ‘power to express conflictand order it in art’.3 Its formal balance does not eradicate the importanceof the play’s historical context, however. Because As You Like It seeks toorder specifically social ills, it draws on and develops changing conceptionsof how people relate to one another, individually and in groups. In otherwords, the interrelation of diachroni
You Can't Fight Tanks with Bayonets: Psychological Warfare against the Japanese Army in the Southwest Pacific (Studies in War, Society, and the Militar) - PDF
You Can't Fight Tanks with Bayonets: Psychological Warfare against the Japanese Army in the Southwest Pacific (Studies in War, Society, and the Militar) - PDF
نویسندگان: Allison B. Gilmore خلاصه: In November 1944, during a lull in the intense fighting so characteristic of the Pacific War, a Japanese sol-dier made the following entry in his diary: ‘’I won’t go so far as to say it is absolutely impossible but I don’tthink we can win the war with Japanese spirit alone.” 1 Although the average GI would have found these wordsof little interest or importance, they were immensely heartening to Allied propagandists charged with the taskof inducing demoralization among enemy combatants. For this seemingly insignificant diary entry and manyothers akin to it provided evidence that soldiers of the Imperial Japanese Army (IJA ) were losing confidencein their ability to win the “Greater East Asia War” and recognizing the vital importance played by materialfactors in wartime. Similar statements proffered by Japanese prisoners of war (POWS ) and found in documentsretrieved from battlefields throughout the Pacific were important sources of intelligence for psychologicalwarfare personnel, whose job it was to hasten Japan’s defeat by waging a propaganda campaign to diminishJapanese confidence in their ability to achieve victory.Historians have written hundreds of volumes about World War II. Many of them analyze various aspects ofthe Pacific War, and some examine the subject of psychological warfare (psywar), but rarely do these twolines of scholarly inquiry intersect. The bulk of the studies of psychological operations in World War II per-tain to the European Theater of Operations (ETO). John W. Dower’s War without Mercy: Race and Power inthe Pacific War assesses the impact of racial hatred, cultural stereotypes, and psychological factors on theconduct of the Pacific War. Yet his treatment of wartime atrocities, Japanese adherence to “death before disho-nor,” and Americans “obsessed with the task of slaughter” reveals only part of the story. 2 Although he refersto the surrender of demoralized Japanese soldiers, the subject is peripheral to his work. This is understanda-ble given his focus, yet one is left with a very clear impression that such occurrences were extraordinarily rareand insignificant events. More problematic is Dower’s assertion that Americans in decision-making positionswere so singularly unimpressed with the idea of waging a serious propaganda campaign against the Japanesethat “such ideas had little impact.”3 In fact, this is not the case. Psywar was not an afterthought on the part ofAllied military commanders, nor was it always perceived as some ‘’impractical plaything of effete civilians.”4In their attempts to demoralize Japanese troops Allied propagandists in the Southwest Pacific alone dissemi-nated nearly 400 million propaganda leaflets and witnessed the capture of approximately 19,500 Japanese pri-soners.
The World of Animals (Children, Have You Ever Thought?) - PDF
The World of Animals (Children, Have You Ever Thought?) - PDF
نویسندگان: Yahya Harun خلاصه: Dear children,In this book, we will discover the marvels of creation in the living beingssurrounding us. In the following pages, you will set out on a joyful journeyin the company of many loveable living beings who will amaze you withtheir many interesting and astonishing characteristics.While reading this book, you will see that Allah has created all livingbeings in perfect forms and that all of them are only manifestations ofAllah's infinite beauty, power and knowledge."Do you know all the animals?" We can hear you saying, "Not really.Only some of them." Do you know about these creatures' lives? Do youknow how they are born? How they live? How they protect themselves andfind food? You probably have no idea about most of the details of theseanimals' lives. But don't worry! As you read this book, you will learnastounding things about them and be amazed at the various perfectionsand fine qualities Allah has given these living creatures.You are already acquainted with many animals. But in this book, youwill also get to know some other animals' secret and marvellous worlds,11which you have most probably never heardabout or seen. You will like them very much. Asyou continue reading, you will be amazed at theway these animals can accomplish some of the tasksthey do. You will see ostriches–the fastest runners in the world,tigers–some of the best sprinters, sharp-teethed squirrels, eye-catchingpeacocks and, as you meet them, you will come to know them better.Meanwhile, keep in mind that these are only some of the animals that existin the world… Our planet abounds with countless other animal species.While seeing the beauties of these creatures, keep in mind that Allah, theCreator of all these creatures, only wants us to think about the infinitemight and art in His creation, recognise that He has created everythingand that He is the owner of every living being. He also wants us to see thebeauty in these living creatures, to take pleasure from their beauty andthereby love Allah and be grateful to Him because He has created all thesesplendid creatures.The creation of all the universe, all the lovely animals, plants, night andday and everything surrounding you serves a single purpose: to come to beable to see the sublime and flawless creation of Allah. The purpose is simplyto make us, human beings, say, "How graciously Allah has created!"Reading The World of Animals will provide this outlook on the livingcreatures you see around you.Are you ready? Now, turn the page andembark on The World of Animals! There isa whole world of wonderful animalswaiting for you inside!
If I Were You (Stories from the Golden Age) - PDF
If I Were You (Stories from the Golden Age) - PDF
نویسندگان: L. Ron Hubbard خلاصه: A ND it was a golden age.The 1930s and 1940s were a vibrant, seminal time fora gigantic audience of eager readers, probably the largest percapita audience of readers in American history. The magazineracks were chock-full of publications with ragged trims, garishcover art, cheap brown pulp paper, low cover prices—and themost excitement you could hold in your hands.“Pulp” magazines, named for their rough-cut, pulpwoodpaper, were a vehicle for more amazing tales than Scheherazadecould have told in a million and one nights. Set apart fromhigher-class “slick” magazines, printed on fancy glossy paperwith quality artwork and superior production values, thepulps were for the “rest of us,” adventure story after adventurestory for people who liked to read. Pulp fiction authors wereno-holds-barred entertainers — real storytellers. They weremore interested in a thrilling plot twist, a horrific villain ora white-knuckle adventure than they were in lavish prose orconvoluted metaphors.

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