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عنوان: The Norton Introduction to Literature (Shorter Thirteenth Edition) (9780393664942) Mays, Kelly J.
نویسنده: Books
ناشر: W. W. Norton & Company; Shorter Thirteenth edition (October 24, 2018)
زبان: English
شابک: 0393664945, 978-0393664942

9780393427806, 0393427803

9780393664942, 9780393938937, 0393664945, 039393893X
حجم: 44 Mb
فرمت: Original PDF

The Norton Introduction to Literature, Shorter 13E Title Page Copyright Brief Table of Contents Contents Preface for Instructors Introduction What Is Literature? What Does Literature Do? JOHN KEATS, On First Looking into Chapman’s Homer What Are the Genres of Literature? Why Read Literature? Why Study Literature? HAI-DANG PHAN, My Father’s “Norton Introduction to Literature,” Third Edition (1981) AUTHORS ON THEIR WORK: Hai-Dang Phan JOHN CROWE RANSOM, Bells for John Whiteside’s Daughter PART ONE. Fiction 1. Fiction: Reading, Responding, Writing ANONYMOUS, The Elephant in the Village of the Blind Reading and Responding to Fiction LINDA BREWER, 20/20 SAMPLE WRITING: Annotation and Notes on “20/20” Reading and Responding to Graphic Fiction JULES FEIFFER, Superman Writing about Fiction RAYMOND CARVER, Cathedral SAMPLE WRITING: Reading Notes on “Cathedral” SAMPLE WRITING: Response Paper on “Cathedral” SAMPLE WRITING: Essay on “Cathedral” Telling Stories: An Album GRACE PALEY, A Conversation with My Father AUTHORS ON THEIR WORK: Grace Paley ANTON CHEKHOV, Gooseberries TIM O’BRIEN, The Lives of the Dead UNDERSTANDING THE TEXT 2. Plot Plot versus Action, Sequence, and Subplot Pace Conflicts GARY TRUDEAU, Doonesbury JACOB AND WILHELM GRIMM, The Shroud The Five Parts of Plot Common Plot Types RALPH ELLISON, King of the Bingo Game JAMES BALDWIN, Sonny’s Blues JOYCE CAROL OATES, Where Are You Going, Where Have You Been? AUTHORS ON THEIR WORK: Joyce Carol Oates VIET THANH NGUYEN, I’d Love You to Want Me SAMPLE WRITING: Essay on “King of the Bingo Game" Initiation Stories: An Album TONI CADE BAMBARA, The Lesson AUTHORS ON THEIR WORK: Toni Cade Bambara ALICE MUNRO, Boys and Girls JOHN UPDIKE, A & P AUTHORS ON THEIR WORK: John Updike 3. Narration and Point of View Types of Narration Tense Narrator versus Implied Author EDGAR ALLAN POE, The Cask of Amontillado GEORGE SAUNDERS, Puppy AUTHORS ON THEIR WORK: George Saunders VIRGINIA WOOLF, The Mark on the Wall ADAM JOHNSON, Interesting Facts 4. Character Heroes and Villains versus Protagonists and Antagonists Major versus Minor Characters Flat versus Round and Static versus Dynamic Characters Stock Characters and Archetypes Reading Character in Fiction and Life WILLIAM FAULKNER, Barn Burning TONI MORRISON, Recitatif AUTHORS ON THEIR WORK: Toni Morrison DAVID FOSTER WALLACE, Good People ALISSA NUTTING, Model’s Assistant Monsters: An Album MARGARET ATWOOD, Lusus Naturae KAREN RUSSELL, St. Lucy’s Home for Girls Raised by Wolves JORGE LUIS BORGES, The House of Asterion AUTHORS ON THEIR WORK: Jorge Luis Borges 5. Setting Temporal and Physical, General and Particular Setting Functions of Setting Vague and Vivid Settings ITALO CALVINO, from Invisible Cities MARGARET MITCHELL, from Gone with the Wind Traditional Expectations of Time and Place ALICE RANDALL, from The Wind Done Gone JAMES JOYCE, Araby AMY TAN, A Pair of Tickets JUDITH ORTIZ COFER, Volar ANNIE PROULX, Job History SAMPLE WRITING: Annotation and Close Reading on “Araby" The Future: An Album WILLIAM GIBSON, The Gernsback Continuum AUTHORS ON THEIR WORK: William Gibson RAY BRADBURY, The Veldt AUTHORS ON THEIR WORK: Ray Bradbury OCTAVIA E. BUTLER, Bloodchild AUTHORS ON THEIR WORK: Octavia E. Butler JENNIFER EGAN, Black Box AUTHORS ON THEIR WORK: Jennifer Egan 6. Symbol and Figurative Language Literary Symbolism Figures of Speech Interpreting Symbolism and Figurative Language NATHANIEL HAWTHORNE, The Birth-Mark A. S. BYATT, The Thing in the Forest EDWIDGE DANTICAT, A Wall of Fire Rising SAMPLE WRITING: Comparative Essay on “The Birth-Mark” and “The Thing in the Forest" 7. Theme AESOP, The Two Crabs Theme(s): Singular or Plural? Be Specific: Theme as Idea versus Topic or Subject Don’t Be Too Specific: Theme as General Idea Theme versus Moral STEPHEN CRANE, The Open Boat GABRIEL GARCÍA MÁRQUEZ, A Very Old Man with Enormous Wings: A Tale for Children YASUNARI KAWABATA, The Grasshopper and the Bell Cricket JUNOT DÍAZ, Wildwood Cross-Cultural Encounters: An Album BHARATI MUKHERJEE, The Management of Grief AUTHORS ON THEIR WORK: Bharati Mukherjee JHUMPA LAHIRI, Interpreter of Maladies AUTHORS ON THEIR WORK: Jhumpa Lahiri DAVID SEDARIS, Jesus Shaves EXPLORING CONTEXTS 8. The Author’s Work as Context: Flannery O’Connor Biographical Approaches to Literature Implied Author or Narrator Style and Tone Three Stories by Flannery O’Connor A Good Man Is Hard to Find Good Country People Everything That Rises Must Converge Passages from Flannery O’Connor’s Essays and Letters Critical Excerpts MARY GORDON, from Flannery’s Kiss ANN E. REUMAN, from Revolting Fictions: Flannery O’Connor’s Letter to Her Mother EILEEN POLLACK, from Flannery O’Connor and the New Criticism 9. Cultural and Historical Contexts: Women in Turn-of-the-Century America Women at the Turn of the Century: An Overview Women Writers in a Changing World KATE CHOPIN, The Story of an Hour CHARLOTTE PERKINS GILMAN, The Yellow Wallpaper SUSAN GLASPELL, A Jury of Her Peers Contextual Excerpts CHARLOTTE PERKINS GILMAN, from Similar Cases from Women and Economics BARBARA BOYD, from Heart and Home Talks: Politics and Milk MRS. ARTHUR LYTTELTON, from Women and Their Work RHETA CHILDE DORR, from What Eight Million Women Want The New York Times, from Mrs. Delong Acquitted The Washington Post, from The Chances of Divorce CHARLOTTE PERKINS GILMAN, from Why I Wrote “The Yellow Wall-paper” The Washington Post, The Rest Cure The Washington Post, from Egotism of the Rest Cure 10. Critical Contexts: Tim O’Brien’s “The Things They Carried" TIM O’BRIEN, The Things They Carried Critical Excerpts STEVEN KAPLAN, from The Undying Uncertainty of the Narrator in Tim O’Brien’s The Things They Car LORRIE N. SMITH, from “The Things Men Do”: The Gendered Subtext in Tim O’Brien’s Esquire Sto SUSAN FARRELL, from Tim O’Brien and Gender: A Defense of The Things They Carried READING MORE FICTION LOUISE ERDRICH, Love Medicine WILLIAM FAULKNER, A Rose for Emily ERNEST HEMINGWAY, Hills Like White Elephants FRANZ KAFKA, A Hunger Artist JAMAICA KINCAID, Girl BOBBIE ANN MASON, Shiloh GUY DE MAUPASSANT, The Jewelry HERMAN MELVILLE, Bartleby, the Scrivener: A Story of Wall Street EUDORA WELTY, Why I Live at the P.O PART TWO. Poetry 11. Poetry: Reading, Responding, Writing Defining Poetry LYDIA DAVIS, Head, Heart AUTHORS ON THEIR CRAFT: Billy Collins Poetic Subgenres and Kinds EDWIN ARLINGTON ROBINSON, Richard Cory ROBERT FROST, “Out, Out—" THOMAS HARDY, The Ruined Maid WILLIAM WORDSWORTH, I wandered lonely as a cloud FRANK O’HARA, Poem [Lana Turner has collapsed!] PHILLIS WHEATLEY, On Being Brought from Africa to America EMILY DICKINSON, The Sky is low—the Clouds are mean BILLY COLLINS, Divorce BRUCE SPRINGSTEEN, Nebraska ROBERT HAYDEN, A Letter from Phillis Wheatley Responding to Poetry APHRA BEHN, On Her Loving Two Equally Writing about Poetry SAMPLE WRITING: Response Paper on “On Her Loving Two Equally" SAMPLE WRITING: Essay on “On Her Loving Two Equally" The Art of (Reading) Poetry: An Album HOWARD NEMEROV, Because You Asked about the Line between Prose and Poetry ARCHIBALD MACLEISH, Ars Poetica CZESLAW MILOSZ, Ars Poetica? AUTHORS ON THEIR WORK: Czeslaw Milosz ELIZABETH ALEXANDER, Ars Poetica #100: I Believe MARIANNE MOORE, Poetry JULIA ALVAREZ, “Poetry Makes Nothing Happen"? BILLY COLLINS, Introduction to Poetry UNDERSTANDING THE TEXT 12. Speaker: Whose Voice Do We Hear? Narrative Poems and Their Speakers ETHERIDGE KNIGHT, Hard Rock Returns to Prison from the Hospital for the Criminal Insane Speakers in the Dramatic Monologue A. E. STALLINGS, Hades Welcomes His Bride The Lyric and Its Speaker MARGARET ATWOOD, Death of a Young Son by Drowning AUTHORS ON THEIR CRAFT: Billy Collins and Sharon Olds WILLIAM WORDSWORTH, She Dwelt among the Untrodden Ways DOROTHY PARKER, A Certain Lady Poems for Further Study WALT WHITMAN, I celebrate myself, and sing myself LANGSTON HUGHES, Ballad of the Landlord E. E. CUMMINGS, next to of course god america i GWENDOLYN BROOKS, We Real Cool AUTHORS ON THEIR WORK: Gwendolyn Brooks LUCILLE CLIFTON, cream of wheat Exploring Gender: An Album RICHARD LOVELACE, Song: To Lucasta, Going to the Wars MARY, LADY CHUDLEIGH, To the Ladies WILFRED OWEN, Disabled ELIZABETH BISHOP, Exchanging Hats DAVID WAGONER, My Father’s Garden JUDITH ORTIZ COFER, The Changeling MARIE HOWE, Practicing AUTHORS ON THEIR WORK: Marie Howe BOB HICOK, O my pa-pa TERRANCE HAYES, Mr. T— STACEY WAITE, The Kind of Man I Am at the DMV 13. Situation and Setting: What Happens? Where? When? Situation RITA DOVE, Daystar DENISE DUHAMEL, Humanity 101 TRACY K. SMITH, Sci-Fi Setting MATTHEW ARNOLD, Dover Beach One Poem, Multiple Situations and Settings LI-YOUNG LEE, Persimmons One Situation and Setting, Multiple Poems CHRISTOPHER MARLOWE, The Passionate Shepherd to His Love SIR WALTER RALEIGH, The Nymph’s Reply to the Shepherd The Occasional Poem MARTÍN ESPADA, Litany at the Tomb of Frederick Douglass AUTHORS ON THEIR WORK: Martín Espada The Carpe Diem Poem JOHN DONNE, The Flea ANDREW MARVELL, To His Coy Mistress The Aubade JOHN DONNE, The Sun Rising JAMES RICHARDSON, Late Aubade Poems for Further Study TERRANCE HAYES, Carp Poem NATASHA TRETHEWEY, Pilgrimage MAHMOUD DARWISH, Identity Card YEHUDA AMICHAI, On Yom Kippur in 1967 . . . YUSEF KOMUNYAKAA, Tu Do Street AUTHORS ON THEIR WORK: Yusef Komunyakaa Homelands: An Album MAYA ANGELOU, Africa AUTHORS ON THEIR WORK: Maya Angelou DEREK WALCOTT, A Far Cry from Africa AUTHORS ON THEIR WORK: Derek Walcott JUDITH ORTIZ COFER, The Latin Deli: An Ars Poetica CATHY SONG, Heaven AGHA SHAHID ALI, Postcard from Kashmir ADRIENNE SU, Escape from the Old Country 14. Theme and Tone Tone W. D. SNODGRASS, Leaving the Motel Theme MAXINE KUMIN, Woodchucks ADRIENNE RICH, Aunt Jennifer’s Tigers AUTHORS ON THEIR WORK: Adrienne Rich Theme and Conflict ADRIENNE SU, On Writing AUTHORS ON THEIR WORK: Adrienne Su Poems for Further Study PAUL LAURENCE DUNBAR, Sympathy W. H. AUDEN, Stop all the clocks, cut off the telephone KAY RYAN, Repulsive Theory MAYA ANGELOU, Still I Rise SAMPLE WRITING: Response Paper on Auden’s “Stop all the clocks, cut off the telephone" Family: An Album SIMON J. ORTIZ, My Father’s Song ROBERT HAYDEN, Those Winter Sundays ELLEN BRYANT VOIGT, My Mother MARTÍN ESPADA, Of the Threads That Connect the Stars EMILY GROSHOLZ, Eden PHILIP LARKIN, This Be the Verse AUTHORS ON THEIR WORK: Philip Larkin JIMMY SANTIAGO BACA, Green Chile PAUL MARTÍNEZ POMPA, The Abuelita Poem CHARLIE SMITH, The Business ANDREW HUDGINS, Begotten 15. Language: Word Choice and Order Precision and Ambiguity SARAH CLEGHORN, The golf links lie so near the mill MARTHA COLLINS, Lies Denotation and Connotation WALTER DE LA MARE, Slim Cunning Hands THEODORE ROETHKE, My Papa’s Waltz Word Order and Placement SHARON OLDS, Sex without Love AUTHORS ON THEIR WORK: Sharon Olds Poems for Further Study WILLIAM BLAKE, London GERARD MANLEY HOPKINS, Pied Beauty WILLIAM CARLOS WILLIAMS, The Red Wheelbarrow This Is Just to Say AUTHORS ON THEIR WORK: William Carlos Williams KAY RYAN, Blandeur MARTHA COLLINS, white paper #24 A. E. STALLINGS, Shoulda, Woulda, Coulda 16. Visual Imagery and Figures of Speech DAVID BOTTOMS, Hubert Blankenship CLAUDE MCKAY, The Harlem Dancer LYNN POWELL, Kind of Blue Simile and Analogy TODD BOSS, My Love for You Is So Embarrassingly Metaphor WILLIAM SHAKESPEARE, That time of year thou mayst in me behold LINDA PASTAN, Marks Personification EMILY DICKINSON, Because I could not stop for Death— Metonymy and Synecdoche WILLIAM WORDSWORTH, London, 1802 TRACY K. SMITH, Ash EMMA BOLDEN, House Is an Enigma Allusion AMIT MAJMUDAR, Dothead PATRICIA LOCKWOOD, What Is the Zoo for What Poems for Further Study WILLIAM SHAKESPEARE, Shall I compare thee to a summer’s day? ANONYMOUS, The Twenty-Third Psalm JOHN DONNE, Batter my heart, three-personed God RANDALL JARRELL, The Death of the Ball Turret Gunner JOY HARJO, The Woman Hanging from the Thirteenth Floor Window JOHN BREHM, Sea of Faith 17. Symbol The Invented Symbol JAMES DICKEY, The Leap The Traditional Symbol EDMUND WALLER, Song DOROTHY PARKER, One Perfect Rose The Symbolic Poem WILLIAM BLAKE, The Sick Rose Poems for Further Study JOHN KEATS, Ode to a Nightingale ROBERT FROST, The Road Not Taken HOWARD NEMEROV, The Vacuum ADRIENNE RICH, Diving into the Wreck ROO BORSON, After a Death BRIAN TURNER, Jundee Ameriki AUTHORS ON THEIR WORK: Brian Turner SHARON OLDS, Bruise Ghazal 18. The Sounds of Poetry Rhyme Other Sound Devices ALEXANDER POPE, from The Rape of the Lock Sound Poems HELEN CHASIN, The Word Plum ALEXANDER POPE, Sound and Sense Poetic Meter SAMUEL TAYLOR COLERIDGE, Metrical Feet ANONYMOUS, There was a young girl from St. Paul ALFRED, LORD TENNYSON, from The Charge of the Light Brigade JANE TAYLOR, The Star ANNE BRADSTREET, To My Dear and Loving Husband JESSIE POPE, The Call WILFRED OWEN, Dulce et Decorum Est Poems for Further Study WILLIAM SHAKESPEARE, Like as the waves make towards the pebbled shore GERARD MANLEY HOPKINS, The Windhover AMIT MAJMUDAR, Ode to a Drone WALT WHITMAN, A Noiseless Patient Spider KEVIN YOUNG, Ode to Pork Word and Music: An Album THOMAS CAMPION, When to Her Lute Corinna Sings ANONYMOUS, Sir Patrick Spens DUDLEY RANDALL, Ballad of Birmingham AUGUSTUS MONTAGUE TOPLADY, A Prayer, Living and Dying ROBERT HAYDEN, Homage to the Empress of the Blues BOB DYLAN, The Times They Are A-Changin’ LINDA PASTAN, Listening to Bob Dylan, 2005 MOS DEF, Hip Hop JOSE B. GONZALEZ, Elvis in the Inner City 19. Internal Structure Dividing Poems into “Parts" PAT MORA, Sonrisas Internal versus External or Formal “Parts" GALWAY KINNELL, Blackberry Eating Lyrics as Internal Dramas SEAMUS HEANEY, Punishment SAMUEL TAYLOR COLERIDGE, Frost at Midnight SHARON OLDS, The Victims Making Arguments about Structure Poems without “Parts" WALT WHITMAN, I Hear America Singing Poems for Further Study WILLIAM SHAKESPEARE, Th’ expense of spirit in a waste of shame PERCY BYSSHE SHELLEY, Ode to the West Wind PHILIP LARKIN, Church Going AUTHORS ON THEIR WORK: Philip Larkin KATIE FORD, Still-Life KEVIN YOUNG, Greening SAMPLE WRITING: Essay in Progresson “Church Going” 20. External Form Stanzas Traditional Stanza Forms ROBERT FROST, Acquainted with the Night RICHARD WILBUR, Terza Rima Traditional Verse Forms Fixed Forms or Form-Based Subgenres Traditional Forms: Poems for Further Study DYLAN THOMAS, Do Not Go Gentle into That Good Night NATASHA TRETHEWEY, Myth ELIZABETH BISHOP, Sestina A. E. STALLINGS, Sestina: Like The Way a Poem Looks E. E. CUMMINGS, l(a Buffalo Bill’s Concrete Poetry GEORGE HERBERT, Easter Wings MAY SWENSON, Women The Sonnet: An Album FRANCESCO PETRARCH, Upon the breeze she spread her golden hair HENRY CONSTABLE, My lady’s presence makes the roses red WILLIAM SHAKESPEARE, My mistress’ eyes are nothing like the sun Not marble, nor the gilded monuments Let me not to the marriage of true minds JOHN MILTON, When I consider how my light is spent WILLIAM WORDSWORTH, Nuns Fret Not The world is too much with us ELIZABETH BARRETT BROWNING, How Do I Love Thee? CHRISTINA ROSSETTI, In an Artist’s Studio EDNA ST. VINCENT MILLAY, What lips my lips have kissed, and where, and why Women have loved before as I love now I, being born a woman and distressed I will put Chaos into fourteen lines GWENDOLYN BROOKS, First Fight. Then Fiddle. GWEN HARWOOD, In the Park JUNE JORDAN, Something Like a Sonnet for Phillis Miracle Wheatley BILLY COLLINS, Sonnet HARRYETTE MULLEN, Dim Lady Haiku: An Album Traditional Japanese Haiku CHIYOJO, Whether astringent BASHŌ, A village without bells— This road— BUSON, Coolness— Listening to the moon One Haiku, Four Translations LAFCADIO HEARN, Old pond CLARA A. WALSH, An old-time pond EARL MINER, The still old pond ALLEN GINSBERG, The old pond Contemporary English-Language Haiku EZRA POUND, In a Station of the Metro ALLEN GINSBERG, Looking over my shoulder RICHARD WRIGHT, In the falling snow ETHERIDGE KNIGHT, Eastern guard tower The falling snow flakes Making jazz swing in AUTHORS ON THEIR WORK: Etheridge Knight MARK JARMAN, Haiku SONIA SANCHEZ, from 9 Haiku (for Freedom’s Sisters) SUE STANDING, Diamond Haiku LINDA PASTAN, In the Har-Poen Tea Garden Twaiku EXPLORING CONTEXTS 21. The Author’s Work as Context: Adrienne Rich The Poetry of Adrienne Rich Poems by Adrienne Rich At a Bach Concert Storm Warnings Living in Sin Snapshots of a Daughter-in-Law AUTHORS ON THEIR WORK: Adrienne Rich Planetarium For the Record My mouth hovers across your breasts History Transparencies Tonight No Poetry Will Serve Passages from Rich’s Essays From When We Dead Awaken: Writing as Re-Vision From A Communal Poetry From Why I Refused the National Medal for the Arts From Poetry and the Forgotten Future A Poem for Adrienne Rich Joy HARJO, By the Way SAMPLE WRITING: Comparative Essay on Sonnets by Shakespeare and Millay Emily Dickinson: An Album Poems by Emily Dickinson Wild Nights—Wild Nights! “Hope” is the thing with feathers— After great pain, a formal feeling comes— I heard a Fly buzz—when I died My Life had stood—a Loaded Gun— I stepped from Plank to Plank Tell all the truth but tell it slant— Poems about Emily Dickinson WENDY COPE, Emily Dickinson HART CRANE, To Emily Dickinson BILLY COLLINS, Taking Off Emily Dickinson’s Clothes W. B. Yeats: An Album Poems by W. B. Yeats The Lake Isle of Innisfree AUTHORS ON THEIR WORK: W. B. Yeats All Things Can Tempt Me Easter 1916 The Second Coming Leda and the Swan Sailing to Byzantium A Poem about W. B. Yeats W. H. AUDEN, In Memory of W. B. Yeats AUTHORS ON THEIR WORK: W. H. Auden Pat Mora: An Album Elena Gentle Communion Mothers and Daughters La Migra Ode to Adobe 22. The Author’s Work as Context: William Blake’s Songs of Innocence and of Experience Color Insert: Facsimile Pages from Songs of Innocence and of Experience William Blake’s Songs of I Songs of Innocence Introduction The Ecchoing Green Holy Thursday The Lamb The Chimney Sweeper Songs of Experience Introduction The Tyger The Garden of Love The Chimney Sweeper Holy Thursday 23. Cultural and Historical Contexts: The Harlem Renaissance Poems of the Harlem Renaissance ARNA BONTEMPS, A Black Man Talks of Reaping COUNTEE CULLEN, Yet Do I Marvel Saturday’s Child From the Dark Tower ANGELINA GRIMKÉ, The Black Finger Tenebris LANGSTON HUGHES, Harlem The Weary Blues The Negro Speaks of Rivers I, Too HELENE JOHNSON, Sonnet to a Negro in Harlem CLAUDE MCKAY, Harlem Shadows If We Must Die The Tropics in New York America The White House Contextual Excerpts JAMES WELDON JOHNSON, from the preface to The Book of American Negro Poetry ALAIN LOCKE, from The New Negro RUDOLPH FISHER, from The Caucasian Storms Harlem W. E. B. DU BOIS, from Two Novels ZORA NEALE HURSTON, How It Feels to Be Colored Me LANGSTON HUGHES, from The Big Sea SAMPLE WRITING: Research Essay on “I, Too" 24. Critical Contexts: Sylvia Plath’s “Daddy” SYLVIA PLATH, Daddy Critical Excerpts GEORGE STEINER, from Dying Is an Art A. ALVAREZ, from Sylvia Plath IRVING HOWE, from The Plath Celebration: A Partial Dissent JUDITH KROLL, from Rituals of Exorcism: “Daddy" MARY LYNN BROE, from Protean Poetic: The Poetry of Sylvia Plath MARGARET HOMANS, from A Feminine Tradition PAMELA J. ANNAS, from A Disturbance in Mirrors: The Poetry of Sylvia Plath STEVEN GOULD AXELROD, from Sylvia Plath: The Wound and the Cure of Words LISA NARBESHUBER, from The Poetics of Torture: The Spectacle of Sylvia Plath’s Poetry READING MORE POETRY W. H. AUDEN, Musée des Beaux Arts ROBERT BROWNING, My Last Duchess KELLY CHERRY,, Alzheimer’s SAMUEL TAYLOR COLERIDGE, Kubla Khan E. E. CUMMINGS, in Just- JOHN DONNE, Death, be not proud The Good-Morrow Song A Valediction: Forbidding Mourning PAUL LAURENCE DUNBAR, We Wear the Mask T. S. ELIOT, The Love Song of J. Alfred Prufrock ROBERT FROST, Fire and Ice Stopping by Woods on a Snowy Evening SEAMUS HEANEY, Digging GERARD MANLEY HOPKINS, God’s Grandeur Spring and Fall BEN JONSON, On My First Son JOHN KEATS, Ode on a Grecian Urn To Autumn YUSEF KOMUNYAKAA, Facing It AUTHORS ON THEIR WORK: Yusef Komunyakaa LINDA PASTAN, To a Daughter Leaving Home MARGE PIERCY, Barbie Doll SYLVIA PLATH, Lady Lazarus Morning Song EDGAR ALLAN POE, The Raven EZRA POUND, The River-Merchant’s Wife: A Letter CHRISTINA ROSSETTI, Goblin Market WALLACE STEVENS, Anecdote of the Jar The Emperor of Ice-Cream ALFRED, LORD TENNYSON, Ulysses WALT WHITMAN, Facing West from California’s Shores RICHARD WILBUR, Love Calls Us to the Things of This World Biographical Sketches: Poets PART THREE. Drama 25. Drama: Reading, Responding, Writing Reading Drama Thinking Theatrically SUSAN GLASPELL, Trifles Responding to Drama SAMPLE WRITING: Annotation of Trifles SAMPLE WRITING: Reading Notes on Trifles Writing about Drama SAMPLE WRITING: Response Paper on Trifles SAMPLE WRITING: Essay on Trifles UNDERSTANDING THE TEXT 26. Elements of Drama Character Plot and Structure Stages, Sets, and Setting Tone, Language, and Symbol Theme AUGUST WILSON, Fences AUTHORS ON THEIR WORK: August Wilson QUIARA ALEGRÍA HUDES, Water by the Spoonful EXPLORING CONTEXTS 27. The Author’s Work as Context: William Shakespeare The Life of Shakespeare: A Biographical Mystery Exploring Shakespeare’s Work: A Midsummer Night’s Dream and Hamlet A Midsummer Night’s Dream Hamlet 28. Cultural and Historical Contexts: Lorraine Hansberry’s A Raisin in the Sun The Historical Significance of A Raisin in the Sun The Great Migration Life in the “Black Metropolis" The Civil Rights Movement African Americans and Africa The “Americanness” of A Raisin in the Sun LORRAINE HANSBERRY, A Raisin in the Sun AUTHORS ON THEIR WORK: Lorraine Hansberry Contextual Excerpts RICHARD WRIGHT, from Twelve Million Black Voices ROBERT GRUENBERG, from Chicago Fiddles While Trumbull Park Burns GERTRUDE SAMUELS, from Even More Crucial Than in the South WILMA DYKEMAN AND JAMES STOKELY, from New Southerner: The Middle-Class Negro MARTIN LUTHER KING, JR., from Letter from Birmingham Jail ROBERT C. WEAVER, from “The Negro as an American”: The Yearning for Human Dignity EARL E. THORPE, from Africa in the Thought of Negro Americans PHAON GOLDMAN, from The Significance of African Freedom for the Negro American BRUCE NORRIS, from Clybourne Park 29. Critical Contexts: Sophocles’s Antigone Sophocles, Antigone Critical Excerpts RICHARD C. JEBB, from the introduction to The Antigone of Sophocles MAURICE BOWRA, from Sophoclean Tragedy BERNARD KNOX, from the introduction to Antigone (1982 MARTHA C. NUSSBAUM, from Sophocles’ Antigone: Conflict, Vision, and Simplification PHILIP HOLT, from Polis and Tragedy in the Antigone SAMPLE WRITING: Research Essay on Antigone READING MORE DRAMA ANTON CHEKHOV, The Cherry Orchard HENRIK IBSEN, A Doll House JANE MARTIN, from Talking With . . . SOPHOCLES, Oedipus the King OSCAR WILDE, The Importance of Being Earnest TENNESSEE WILLIAMS, A Streetcar Named Desire PART FOUR. Writing about Literature 30. Basic Moves: Paraphrase, Summary, and Description 31. The Literature Essay 32. The Writing Process 33. The Literature Research Essay 34. Quotation, Citation, and Documentation 35. Sample Research Essay SARAH ROBERTS, “ ‘Only a Girl’? Gendered Initiation in Alice Munro’s ‘Boys and Girls" Critical Approaches Permissions Acknowledgments Index of Authors Index of Titles and First Lines Glossary/Index of Literary Terms

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